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Wednesday, November 4, 2026No. 308

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Culture

Maaya Sakamoto: FGO Best-of "Yoin" Brings Together Eleven Years of Music

The double album contains six main themes, four bonus tracks and, in the limited edition, a concert video.

Illustration of the front cover of the limited edition of Maaya Sakamoto's FGO best-of album Yoin
The front cover of the limited edition of "Yoin" featuring an illustration by Takashi Takeuchi. · Image: Illustration: Takashi Takeuchi (TYPE-MOON) / FlyingDog

Maaya Sakamoto's best-of album "Yoin" will be released on July 29, 2026, and gathers every title song she recorded over eleven years for Fate/Grand Order and its spin-offs. In an extensive interview, the singer looks back on the unusually long collaboration and describes the album as the conclusion of a connected chapter.

Six Main Themes and Four Supplementary Recordings

The first CD contains the six central FGO songs "Shikisai," "Gyakkou," "Kuuhaku," "Yakudou," "Dokuhaku" and "Tokei." The selection thus ranges from the title song for the launch of the smartphone game in 2015 to the theme for the final chapter released in 2025.

The second CD follows with unplugged versions of "Shikisai" and "Gyakkou," a newly recorded unplugged version of "Yakudou," and Sakamoto's own version of "Toumei." She had originally written that piece for Mamoru Miyano and the second film of Fate/Grand Order: Camelot.

The limited edition adds a Blu-ray to the two CDs. It contains the concert "Fate/Grand Order 6th Anniversary Special Live – Maaya Sakamoto Unplugged," recorded without an audience in 2021, and the music video for "Tokei." The sleeve uses a new illustration by Takashi Takeuchi of TYPE-MOON.

Songs Became Part of the Story

As Anime!Anime! reports, "Shikisai" was initially planned merely as a single title song. Only when players reached the end of the first story section years later did it become clear how closely the lyrics were tied to the narrative. Sakamoto explains that FGO author Kinoko Nasu picked up her lyrics during the further development of the storyline.

For later pieces such as "Gyakkou" and "Yakudou," the two therefore discussed specifically how a song can feel different on first hearing and once one knows the respective ending. The music thus became not just accompaniment but an element of the narrative and of its interpretation.

After her 30th anniversary on stage, Sakamoto regards "Yoin" as a look back at new forms of musical expression and at a younger audience that found its way to her work through FGO. The conclusion of the eleven-year series is accompanied by a sense of loss, but at the same time it provides a foundation for the next phase of her career.

出典Sources

German original